![]() “It’s an organic piece of music that comes out of the score and out of the emotions in the film.” The piano is there because I wanted to link the sound of the score, which has a lot of piano, with the song, so it doesn’t sound like a tacked on song. “You might listen to it and think, why is that fiddle there, or why is that piano there? The fiddle is there because it’s the violin that was playing the first time we heard that piece of music in the film. “There’s nothing throwaway in any of the music or the lyrics,” he said. The song, he said, was put together very deliberately and painstakingly to draw on and refer back to themes from the film. ![]() “And I learned that if you ask her for something different it comes back 10 times better.” ![]() “I had to get over the fact that I was writing with a world-famous movie star,” said Byrne. The two collaborated by phone on the song, with Byrne overcoming his initial reluctance to press Close for lyric changes. (The completed song can be heard in the second half of the movie’s trailer.)Ĭlose was a member of ASCAP and had written lyrics in the past, so Byrne jumped at the chance to bring her into the process. But I could see the wheels in motion in Glenn’s eyes, and she finally said, ‘You know, I could probably write some lyrics … And that was exactly what I wanted her to say.” When he played them the song, complete with makeshift lyrics cobbled together from lines in the script, it was not well-received. “So I decided to write some blah-blah lyrics and get a demo singer to record it so I could play it for Glenn and Rodrigo.” “When I was about 80 percent done, I thought that maybe the music could make a great end credits tune,” Byrne told TheWrap exclusively this week. Close loved the music, and Byrne ended up using it at several places in his score.
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